Monetary Crises And What Possible Learning Could This...

4. How have different countries responded to past financial crises and what possible learning could this provide for governments today? Recession triggered by financial crisis has a tendency to last longer and be more painful than â€Å"normal† recessions. Past financial crises have different causes and the influences on different countries are diverse, but analysis of key impacts of them can provide insight into the management of the current crisis. Responses of various countries to past financial crises will be discussed below. Japan (1992-2002), Sweden (1990-1993), Norway (1988-1993) and Finland (1990-1993) all suffered financial crises and each of them had a remarkable effect on economic performance, despite the varied intensity and†¦show more content†¦Japan acted like Nordics, tried to stabilize the banking sectors too. But Japanese focused on writing off bad debts and wrote off trillions of bad loans during 1992 and 2001. Besides, Japan used systematic measures to handle the problems of bad loads and new legislation was introduced to reform deposit insurance (BOE Financial Stability Report, 2009). Chart 2 Chart 2 above concludes the main measures applied to remove bad assets from banks’ balance sheets. From the chart, at the beginning, all four countries depended on capital injection to rescue banks and wiped out shareholders. As the crisis approaching the end, Sweden and Finland applied a good bank/bad bank method to remove bad assets from nationalized banks. But Norway kept bad assets in nationalized banks and managed by themselves. Japan established an asset management firm early in the crisis to deal with bad assets of failed banks and nationalized some banks later (BOE Financial Stability Report, 2009). Current and past crises may share some similarities, thus it is very useful to analyze past financial samples and compare with the present one. As the world’s economy is linked today, a single country’s financial crisis may develop to a global one. Governments should not only pay attention to their own past crises, but also keep an eye on other major economies. In addition, from the past crises, the management of systematic banking problems is the key to recovering the banking

Harlem Renaissance Poets Free Essays

Although knowledge of his early years is unreliable and vague, it is believed that he had a troubled childhood, full of abandonment. His writings celebrated black beauty and deplored racism and its effects Couch 1033 (Counter Culled, 2014)From a Dark Tree We shall not always plant while others repaper golden increment of bursting fruit,Not always countenance, abject and mute,That lesser men should hold their brothers cheap;Not everlastingly while others sleepwalk we guile their limbs with mellow flute,Not always bend to some more subtle brute;We were not made to eternally weep. The night whose sable breast relieves the stark,White stars is no less lovely being dark,And there are buds that cannot bloom at Allan light, but crumple, piteous, and fall;So in the dark we hide the heart that bleeds,And wait, and tend our agonizing seeds. We will write a custom essay sample on Harlem Renaissance Poets or any similar topic only for you Order Now From a The double consciousness that is being expressed in this poem is shown in the expression of the beauty and sadness in the nature around him. This is especially poignant in the line â€Å"White stars s no less lovely being dark†, essentially saying that black skin is as beautiful as white skin and should be accepted as such. The underlying theme in the poetry of the Harlem Renaissance is an essential yearning to be accepted into mainstream society, not as inferiors, but as equals. The acknowledgement of the beauty of the African American and the acceptance as Patriotic equals is a line that appears to run through these poems. Raised and Repressed I raise my arms and give a shout A penitent man, I am blessed I stand on a soil of freedom Gained by forefathers unrepressed And to my knees I fall Surrendering my dignity To another’s beck and call And know deep in my heart That the freedom of which he and I also speak Are often worlds apart. -Holly Gaston Works How to cite Harlem Renaissance Poets, Papers

Savion Glover Essay Paper Example For Students

Savion Glover Essay Paper English Honors 9December 20, 2002Savion Glover is arguably one of the best tap dancers to grace theworld of entertainment in decades. His unique style has stunned audiencesfor the past eighteen years and most likely will continue to do so for manyyears to come. It is incredibly humbling to think over the list ofaccomplishments that Savion has mastered in his mere thirty years. Althoughhe has been taking the world of tap by storm for the past decade, hewouldnt be known today if it werent for taps originators. Although the art of tap dance is native to America, its roots arelocated in the percussive dance styles of African, English, Irish, andScottish cultures. The styles contributed from the English, Irish, andScottish were derived from their dancing as a form of entertainment. However, when the Africans were sold into slavery and brought to America,they were prohibited to communicate with each other and the use of drumsand clapping was forbidden. Eventually, they developed a form ofcommunication using syncopated tap rhythms, thus the birth of tap!(Encyclopedia.) Eventually in 1829, slave dances were theatrically adaptedin the first blackface minstrel show. Tommy Daddy Rice danced thishistorical performance. (ask.com) A few years later, William Henry Lane,(also known as Master Juba Lane,) was the first African American to becomewell known on minstrel stages. (google.com) In the late 1800s minstrelshows developed two techniques, a fast style of tapping using wooden shoes,and a smoother, leather-soled style made famous by George Primrose. Afteryears of tap had been danced upon the minstrel stages, metal plates, ortaps, were added to the leather-soled shoes in the l920s opening up awhole new window of opportunity for artistic creativity. About a decadelater, i n the 1930s, black dancers were finally aloud to contribute to thedevelopment of new styles of tap. (ask.com) With this revolution, Bill Bojangles Robinson evolved to become Americas most famous tap dancer in the1930s. His legend still lives on in the movies he made with the childsuperstar, Shirley Temple. Proceeding Robinsons quicker style, JohnBubbles Sublett popularized a slower, more syncopated style of tapdancing (ask.com) deeming him the inventor of rhythm tap. (google.com)Without these individuals to pave the way for todays artists such asSavion Glover, tap dancing may not exist let alone be where it is today. Savion Glover was born on November 17, 1973 in Newark, New Jersey. His mother created his name as a spin-off of the word savior. He livedhis childhood sharing a home with his mother, two brothers, grandmother,his aunt and her nephew. Eventually, Savion showed interest in the drumsbut his mother instead enrolled him in jazz and ballet classes where hestudied for four years. At the age of eight, he began tap dancing lessons. In classes he wore little brown and beige Tom McCann cowboy boots due tohis mothers financial inability to afford proper tap shoes. As Savion grew,he continued intensely with his lessons as well as attending Newark ArtsHigh School. This was the extent of Savions formal education. (tap.org)At the age of twelve, Savion made he Broadway debut in the title rolein The Tap Dance Kid. (tap.org) As he proceeded to enter the world of tap,he worked with such inspirations as Honi Coles, Jimmy Slyde, and GregoryHines who became Savions mentor. Hines was quoted in 1988 speaking offourteen-year-old Savion saying, Savions the man! Hes the one who isgoing to take tap into the 90s and 2000s. (newsweek 67) Who knew GregoryHines was not only a tap legend, but also a fortune teller!Following his Broadway debut in 1985, Savion then made his film debutat age thirteen in the movie, Tap! With Gregory Hines and Sammy Davis Jr. .u54c4606f14917722a3de2cb890200700 , .u54c4606f14917722a3de2cb890200700 .postImageUrl , .u54c4606f14917722a3de2cb890200700 .centered-text-area { min-height: 80px; position: relative; } .u54c4606f14917722a3de2cb890200700 , .u54c4606f14917722a3de2cb890200700:hover , .u54c4606f14917722a3de2cb890200700:visited , .u54c4606f14917722a3de2cb890200700:active { border:0!important; } .u54c4606f14917722a3de2cb890200700 .clearfix:after { content: ""; display: table; clear: both; } .u54c4606f14917722a3de2cb890200700 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u54c4606f14917722a3de2cb890200700:active , .u54c4606f14917722a3de2cb890200700:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u54c4606f14917722a3de2cb890200700 .centered-text-area { width: 100%; position: relative ; } .u54c4606f14917722a3de2cb890200700 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u54c4606f14917722a3de2cb890200700 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u54c4606f14917722a3de2cb890200700 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u54c4606f14917722a3de2cb890200700:hover .ctaButton { background-color: #34495E!important; } .u54c4606f14917722a3de2cb890200700 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u54c4606f14917722a3de2cb890200700 .u54c4606f14917722a3de2cb890200700-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u54c4606f14917722a3de2cb890200700:after { content: ""; display: block; clear: both; } READ: Should There Be A Nuclear Power Plant In Saskatche Essayin 1989. (webfind.net) That same year, Savion was back on Broadway in Black; Blue. Here Savion made history being the youngest to be nominated for aTony Award for his performance in Black ; Blue. Savions first nationallyaccredited award came in 1991 when he received the Dr. Martin Luther KingJr. Outstanding Youth Award. Three years after Black Blue in 1992, he wasseen in Jellys Last Jam. The kid just couldnt stop! For the followingthree years, Savion appeared to be hiding from the Broadway spotlight seenthen as a series regular on Sesame Street (1990-1995). In the mean time hewas furiously co-writing and choreographi ng his own show. Bring